Judgment Against

While Hellraiser: Judgement is nowhere near as execrable as some of its predecessors in this long-running (rights-securing) series, it is hardly a sinful delight.

The cinematic transgressions here are numerable. Let’s start with stilted dialogue, laced with exposition. Follow that with a cliched premise: detectives hunting an exotic serial killer–the Preceptor, who proceeds from a warped interpretation of the Ten Commandments. In this regard, Judgment steals from a much better film (Se7en), just as its scenes of squalor horror/torture porn clearly rifle the Saw franchise. What’s worse, Judgment‘s derivative storyline feels like one we’ve already suffered through in a previous installment: 2000’s Hellraiser: Inferno.

Writer/director Gary J. Tunnicliffe’s police-procedural plot meanders, making 81 minutes of runtime seem like a season in hell. Meanwhile, Pinhead is barely seen, save for periodic glimpses of him seated on a stony throne, straining for gravitas. As in other lackluster entries in the series, the iconic Cenobite appears out of place in the very film featuring his pierced visage on the DVD cover. Here he is supplanted by the sadistic machinations of the Stygian Inquistion (kudos to Judgment, though, for at least attempting to bring a fresh element to the Hellraiser mythos).

The film only really becomes enjoyable when Pinhead finally takes center stage for his obligatory last-act demon ex machina. Paul T. Taylor is unlikely to make fans forget Doug Bradley, but proves a more-than-passable Hell Priest in the climax. Pinhead displays both his trademark wit and spectacularly sadistic touch as he hauls human sinners off to Hell. This is all just the undercard, however; the main event is a philosophical–and savagely physical–face-off with an angelic adversary. The scene is one of the best to appear in a Hellraiser film in quite some time, and gets even better with an ironic twist that satisfyingly concludes Pinhead’s series-long character arc.

For sure, there are things to like about Judgment. An understated Tunnicliffe supplies some dark comedy in his turn as the Auditor character. Also, the love triangle/infidelity theme that emerges late in the film makes for a nice bookend with the inciting moments of the original Hellraiser. Unfortunately, the formulaic outweighs the fantastic, and a strong finale cannot make up for a sluggish build-up. At times tantalizing yet disappointing overall, Judgment will leave viewers yearning for that special someday when Clive Barker regains the rights to Hellraiser and returns the series to its full infernal glory.

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