I’m going to close out my recent coverage of Clive Barker’s Books of Blood collection with a quick countdown of the films and TV works directly adapted from the author’s six-volume masterpiece. So here’s the list, running from worst to best:
9. “The Yattering and Jack” (1987)
Really, all anyone needs to know about this Tales from the Darkside episode is that the yattering is represented as a red-painted little person in a dog collar. Barker’s blackly humorous story gets reduced to slapstick (and the infamous turkey scene is poorly translated from the page).
8. Quicksilver Highway (1997)
Mick Garris’s made-for-TV anthology film adapts Barker’s classic story “The Body Politic” (along with Stephen King’s “Chattery Teeth”), providing convincing visual proof that some of the ideas in Barker’s fiction don’t lend themselves to the small screen. The army of disembodied hands comes across as a bunch of outcasts from The Addams Family, looking like Thing and squeaking like Cousin Itt. On a positive note, Matt Frewer’s performance offers arguably the best physical comedy by a horror actor not named Bruce Campbell.
7. Book of Blood (2009)
Muted and maudlin, this adaptation seems to lose the eyeball kicks of the source text. The pacing also lags at times (“The Book of Blood” prologue is one of the shortest pieces in Barker’s story collection, so significant stretching of its material is required onscreen). A fairly-faithful version of the collection’s “On Jerusalem Street” epilogue, though, does make for an effective ending to the film.
6. Dread (2009)
Anthony DiBlasi’s film often feels like it wants to be another Fight Club, with the antagonist Quaid cutting a figure from the Tyler Durden mold. As with the preceding entry on this countdown, Dread suffers from definite pacing issues (it would have been much better suited as a Masters of Horror episode). But also like Book of Blood, it features a terrific ending, one that gives a wickedly clever twist to the dread experiments in Barker’s story.
5. Lord of Illusions (1995)
One of the most disappointing adaptations, considering that Barker directed it himself, and that “The Last Illusion” is one of the strongest pieces in the story collection. Pedestrian actor Scott Bakula is spectacularly miscast as occult detective Harry D’Amour. Worse, the menagerie of demonic monsters in the original narrative get jettisoned here, in favor of the lamely wisecracking cult leader Nix. I would love to see Barker take a another shot at this with a remake that adheres more strictly to the plot and cast of “The Last Illusion.”
4. Books of Blood (2020)
Surprisingly, this Hulu anthology film is filled largely with material not taken from Barker’s collection (it’s not like the adaptational possibilities have been exhausted already). The non-canonical material is entertaining, though, and I’ve grown to appreciate the Trick ‘r Treat-style intertwining of the individual tales. This film is worth watching just for the jaw-dropping scene in which the slimy Simon is torturously inscribed by the revenants from the highway of the dead.
3. Rawhead Rex (1986)
Yes, the acting is terrible (Ronan Wilmot hams it up as the hysterical Declan O’Brien) and the special effects are laughable (Rawhead Rex is depicted via a Halloween mask with cheap light-up eyes, and overall looks like a refugee from a Twisted Sister video). But still, there is genuine entertainment to be found in the film’s ancient-monster-on-a-modern-rampage storyline. This one (which took the top spot on my ranking of Barker’s Books of Blood tales) absolutely deserves a big-budget remake.
2. The Midnight Meat Train (2008)
Director Ryuhei Kitamura’s film vehicle is stocked with inventively-lensed scenes of stunning gore, but for me it’s the quieter moments (e.g. Mahogany slicing the cancerous buboes from his own torso) that are the most horrifying. Bradley Cooper gives a middling performance as Leon Kauffman, but Vinnie Jones is impressively imposing as the mute, mallet-wielding Mahogany. My main critique is that the carnivorous city fathers are criminally undersold by the film version, yet even that fact does not ruin the climax–the protracted battle between Leon and Mahogany in a subway car abattoir.
1. Candyman (1992)
The film presents an inspired shift in locale, as the choice of Chicago’s notorious Cabrini Green housing project as main setting adds a strong racial element to the socioeconomic commentary in Barker’s (England-based) story. At once eloquent and menacing, Tony Todd elevates the hook-handed, walking-beehive bogey of the title into an iconic movie monster. The mirror summoning is a bit derivative (borrowing from Bloody Mary lore), but however the Candyman might arrive, he does so with undeniable mythic grandeur. A classic horror film (unfortunately, the pair of sequels fail to recapture its dark magic), one that the forthcoming remake/reimagining will be hard-pressed to equal.