Trope Trick: Six Killer Riffs on the Final Girl

Horror films are streaming seemingly everywhere this Halloween season. Classic slashers are out in full force, but I have been focusing more on the post-Scream variations that rework rather than just rehash the formula. Here are six films that have taken the final girl trope in fresh, new directions (spoilers below):

 

Identity (2003)

When is a final girl not a final girl? Answer: when she proves (along with nine other characters gathered at a remote Nevada motel one rainy night) to be a personality existing only in the mind of a disturbed killer. And even within this mental landscape, the orange-grove idyll of lone survivor Paris (Amanda Peet) gets undercut by a wicked twist at film’s end.

 

Behind the Mask: The Rise of Leslie Vernon (2006)

Tongue is impaled in cheek in this mockumentary slasher, in which a film crew follows around an aspiring killer well-versed in slasher conventions. Matters take a hilarious turn when the character Vernon has been grooming as his final girl is revealed as the antithesis of virginal. The real twist, though, is that Vernon actually has tabbed the journalist Taylor (Angela Goethals) for final girl status all along.

 

You’re Next (2011)

The turn from frightened flight to vigorous fight has always been a central component of the final girl’s in-film development, but here Erin (Shari Vinson) is shown to be badass from the get-go. Moreover, a credible rationale is given for her formidable skill set (she grew up in a survival compound in Australia). Hardcore Erin also makes for an interesting final girl in her gross outnumbering–by a series of masked killers as well as the two-faced family members who contracted their home invasion.

 

The Cabin in the Woods (2011)

This uber-clever effort takes the meta in another direction: the collegiate protagonists are mostly unaware of horror film conventions, unlike the adults who are technologically and scientifically manipulating the situation. The ultimate subversiveness is reserved for the climax, when the refusal by Dana (Kristen Connelly) to fulfill her designated archetypal role and be the last girl standing precipitates the fall of human civilization.

 

Terrifier (2016)

Art the Clown is a coulrophobe’s worst nightmare in this most savage of slashers (which has a grindhouse vibe and near-torture-porn approach). But what lands the film on this list is its surprising looping structure. Vicky (Samantha Scaffidi) goes through hell to survive Art’s horrific assault, but this gritty final girl turns out to be the disfigured wretch we’ve already watch commit a gory murder, dispatching her disparaging interviewer in Terrifier‘s opening frame.

 

Happy Death Day (2017)

Tree Gelbman (Jessica Rothe) parties hard, isn’t studious, sleeps with her professor, is a mean sorority girl, and (as is the wont of her character type in a slasher) gets killed early in the film. But while her repeated slaying take a physical toll, her each return to relive Monday the 18th pushes her further along on her slasher-unmasking, final-girl-worthy redemption arc in this witty variation on Groundhog Day.

 

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