Halloween Ubiquity III

For those refusing to make the turn toward the Season to Be Jolly just yet, here is some October overflow to immerse in:

 

The Pumpkinrot blog keeps keepin’ Halloween alive with a heap of holiday-related eye candy

 

The Lineup examines tricky treats: Halloween Candy Tampering: Fact or Urban Legend?

 

Pumpkin-carver extraordinaire Adam Bierton creates a tentacular spectacle in the New York Botanical Garden

 

Tor.com assembles a cast of the best out-casters: It’s an Excellent Day to Rank Our Favorite Fictional Exorcists

 

Crime Reads probes the phobias of leading literary terrorizers: What Are Thriller Authors Truly Afraid Of?

 

Bloody Disgusting props up supreme cinematic examples of a seasonal icon: Harbingers of Autumn: Six of the Scariest Scarecrows in Horror Films

 

The WWE gets down with Halloween in the filmic short Boogey Night:

 

The Lovecraft eZine Podcast offers further eldritch fellowship with its annual Halloween episode:

 

The always-bewitching Christine McConnell continues to practice her craft:

 

Practical Peculiarities helps party planners get the jump on next Halloween by hearkening back to the 1920s:

 

Pop-Up Poe

Edgar Allan Poe’s classic Gothic poem “The Raven” is a pop culture fixture, permeating the realms of film and TV, literature and music, professional football and professional wrestling alike. But little did I know (until I stumbled upon this webpage a few days ago) that the poem has also been transformed into a glorious pop-up book by David Pelham and Christopher Wormell. First published in 2016, The Raven: A Pop-Up Book is now a pricey collector’s item, but this quaint tome can still be pondered on a midnight dreary by watching the video below:

Behind the Scenes of Sleepy Hollow

When preparing to publish The Legend of Sleepy Hollow: Ultimate Annotated Edition, I did extensive background reading, but one item that escaped my notice was the shooting draft for the 1999 Tim Burton film Sleepy Hollow. Thanks to a link posted on the Halloween blog, The Skeleton Key, that oversight has now been corrected. Some thoughts/observations about the shooting draft…

The shooting draft’s cover page presents some interesting sub-titular info : “Being the true storie of one Ichabod Crane and the Headless Horseman.” This is a nice callback to Washington Irving’s Diedrich Knickerbocker, a writing persona notorious for the confusion of fact and fiction in his recording of allegedly “true history.”

An early scene in the film (Ichabod’s dispatching north to Sleepy Hollow by the Burgomaster [Christopher Lee]) is conceived more fully in the shooting draft. This “Audition Scene” features applicants (“mostly obvious Cranks and Eccentrics”) demonstrating “Devices for crime fighting and crime solving” to New York City officials. One amateur Inventor shows off a “combination wallet and mousetrap” pickpocketing deterrent, while another Spotty Man ends up trapped inside his own contraption, the “Tompkins Self-Locking Confessional.”

Reading the shooting draft evokes a mental replay of the beloved Burton film; bits of delivered dialogue echoed inside my head. Equally rewarding are the shooting draft’s descriptions of iconic objects/figures. I love the word picture painted of the Tree of the Dead: “Its branches reach far and wide, knotted and gross, like agony captured in wood sculpture.” This looming embodiment of gloominess sports a “vertical wound in the bark, like a terrible suture, now healed” into a “mushy scar.” The grotesquerie of the Headless Horseman–his “putrid innards” and “maggot-infested muscle,” his steed of “moldering flesh”–is also emphasized. Irving’s legendary ghost-or-goblin has been realized as “Hell on horseback.”

In the film, the Horseman’s last exit (carrying Lady Van Tassel off into the Tree of the Dead) provides a macabre spectacle, but this farewell might have been even more frightful if a special effect detailed in the shooting draft was retained: “For an instant, Horseman and horse are transformed, SKELETONS OF LIGHT, entering the tree!”

I couldn’t help but chuckle at the description of Lady Van Tassel and Reverend Steenwyck’s illicit tryst: “On a blanket, a semi-naked MAN and semi-naked WOMAN are in the midst of rough SEX” (I never realized rough sex existed in late-17th Century Sleepy Hollow!). The shooting draft itself makes light of the late night scene: Asked by Young Masbath what he discovered, Ichabod says: “Something I wish I had not seen. A beast with two backs.” The astonished, naive Young Masbath takes the expression literally: “A beast with…? What next in these bewitched woods?!”

One key thematic figure from the shooting draft never made it into the film: The Crane family cat. This striking feline (black with a white paw and glowing eyes) appears in several of the flashbacks to Ichabod’s youth, and at film’s end greets the heroes upon their arrival in New York City: “THE CAT’S EYES ARE HUMAN, INTELLIGENT, KINDLY…They are Ichabod’s Mother’s eyes.” A happy ending is rendered even more felicitous, as the good, guiding spirit of Ichabod’s Mother has apparently survived the woman’s torture/murder by her puritanical husband.

The shooting draft certainly furnishes an entertaining read for completists. And for more on Burton’s Sleepy Hollow, check out my essay “Eerie Rider: The Headless Horseman’s Forays into Pop Culture” in The Legend of Sleepy Hollow: Ultimate Annotated Edition.

 

Mumm-bo Jumbo

“Signs of life in mummy exhibit in Mexico have experts worried for those who get close”

This is the eye-catching headline of Aspen Pflughoeft’s article published yesterday in the Miami Herald. When I happened upon the piece in my newsfeed today, I felt a jolt of excitement. The macabre bent of my imagination had me anticipating a report of an uncanny shift of position detected in one of the exhibit’s desiccated constituents. My interest only grew when I began reading the article and discovered that the traveling exhibit displayed the famed “Mummies of Guanajuato”–the same collection of preserved corpses immortalized by Ray Bradbury in his 1947 Dark Carnival story “The Next in Line” (later collected in The October Country).

To my disappointment, though, the article soon revealed the disconcerting “sign of life”: patches of fungus on one of the mummies, a growth spurt that could pose a biohazard to viewers (the exhibit’s arrangers downplay any safety concerns). Suddenly, Pflughoeft’s headline turned into an exacerbating case of click-baiting. But as HBO’s The Last of Us has shown, a thriving fungus can make for a quite frightful antagonist. And articles such as the one in the Miami Herald are just the sort of raw material that provides inspiration for the horror genre’s dark dreamers. Here’s hoping that there will be some new mummy tale of apocalyptic outbreak forthcoming in the near future, one forming a worthy successor to “The Next in Line.”

 

Dean Koontz Interview (This Is Horror Podcast 481)

Devoted followers (such as myself) of the This Is Horror podcast know that co-host Michael David Wilson always begins the interview by asking about any lessons the guest learned in early life. Never has that prompt elicited more interesting response than during the recent interview conducted with Dean Koontz. The bestselling author is quite open in recounting the trials of his childhood: growing up in a poor family dominated by his violent, alcoholic father. Koontz acknowledges the various ways his upbringing affected him as a person and shaped him as a writer.

As the interview progresses, Koontz furnishes insight into such areas as his academic record (his transformation from self-described “slacker” into notorious hard-worker) and his lifelong love for dogs. Wilson and cohost Bob Pastorella, who are authors themselves, both prove eager to hear their guest talk about the craft of fiction writing. Koontz also discusses his new novel The House at the End of the World (which in its concerns with the failures of the ruling class in the Western world sounds terribly timely).

I do wish that the hosts had probed Koontz more directly for his thoughts on horror (a genre from which the author has deliberately disassociated himself in the past), but otherwise this is a terrific interview. By no means is Koontz some Pynchonesque recluse, but he does not typically avail himself to such a platform or provide so much of his time (the interview is nearly 90 minutes long). I am happy that Koontz has chosen to do so here, though, because he cuts quite a likeable figure, humble and genuinely avuncular. The other clear takeaway from the podcast interview: at age 77, the prolific novelist shows no signs of slowing down anytime soon.

I’ve embedded the video of the podcast below. Other interview videos can be found on the This Is Horror YouTube channel, and there is also plenty of must-read material posted on the This is Horror website.

 

Macabre Accolades

Admittedly, New Year’s Eve is one of my least favorite holidays, but the best part about the close of December is the prevalence of year-end retrospectives.  Here’s a compilation of links to different websites honoring the horror genre’s best offerings of 2022:

BookRiot: “The 10 Best Horror Books of 2022”

CrimeReads: “The Best Horror Fiction of 2022”

Paste Magazine: “The Best Horror Books of 2022”

Vulture: “The Best Horror Novels of 2022”

LitReactor: “The Must Read Horror Graphic Novels of 2022”

Esquire: “The 23 Best Horror Films of 2022 (So Far)”  [posted in October]

Rolling Stone: “10 Best Horror Movie of 2022”

Collider: “10 Horror Movie Protagonists Who Made Smart Decisions in 2022”

Dread Central: “Top 10 Horror Movies of 2022”

But when it comes to this kind of stuff, nobody does it better than:

Bloody Disgusting: “Top 15 Best Horror Movies of 2022”; “The Top Ten Scariest Scenes in 2022 Horror Movies”; “The 10 Best Kills in 2022’s Horror Movies”; “12 Best International Horror Films of 2022”; “The Year of Unforgettable Horror Monologues”; “The 8 Funniest Horror Movie Moments of 2022”; “10 Best Horror TV Series of 2022”; “2022: The Year Jenna Ortega and Mia Goth Dominated the Horror Scene”

Any other sites I missed, and which you would recommend checking out? Let me know!

***

Finally, I’ll weigh in here by citing my favorite pieces of horror-related media from 2022 (note that I say “favorite” rather than “best,” because I still have a big list of items to read/watch):

Favorite TV Series: “Wednesday” (reviewed here)

Tim Burton, The Addams Family, Jenna Ortega, and Edgar Allan Poe? Count me in(vested wholeheartedly).

 

Favorite Horror Film: “X”

This clever twist on the slasher formula had it all: a gripping story, stellar performances by the ensemble cast (led by Mia Goth in a dual role), crazy kills, and stunning visuals (both beautiful and grotesque)

 

Favorite Anthology: Classic Monsters Unleashed

Dracula and Frankenstein Monster and Dr. Moreau; Mr. Hyde, the Invisible Man, and the Headless Horseman: oh my, what an entertaining collection of new stories paying homage to legendary horror figures.

 

Favorite Novel: Reluctant Immortals

A clever and terrifically entertaining updating/reimagining of Dracula and Jane EyreI’ll have a lot more to say about this book shortly here at Dispatches from the Macabre Republic, in the next installment of Dracula Extrapolated.

Halloween Ubiquity II

Here’s a follow-up to last week’s pre-Halloween post. Along with Heidi Klum’s costume-party-conquering worm (or supersized spiral ham, depending on your taste) pictured above, these are some superlative seasonal items:

 

Cinema Blend: Jason Wiese revisits a modern classic in his pieceTrick ‘R Treat: 11 Thoughts I Had Rewatching the Halloween-Set anthology Movie.”

 

Crime Reads: Not ready yet to transition into Noirvember? Then check out Olivia Rutigliano’s spotlighting of “The 11 Best Halloween Scenes in Non-Genre (Crime) Movies.”

 

Lit Hub: The compendium “31 Spooky, Eerie, and Uncanny Books to Read for Halloween” will keep your TBR list well-stocked for months to come.

 

First Things: James Matthew Wilson’s post “The Poetry of Autumn” offers a fine survey of seasonal verse throughout American literary history.

 

Tor Nightfire: Ally Russell’s “Good Gourd! On Our Fascination with Pumpkins” is a light-hearted personal essay about the fruit that lights up the fall season.

 

The Skeleton Key: For a decade now, this wonderful blog has presented countless informative, offbeat, and picturesque posts about Halloween. Plenty of material here for those refusing to give in to October’s-over letdown.

 

The Lovecraft eZine Annual Halloween Podcast: This podcast is always a fun listen/watch, but the annual Halloween episode (in which host Mike Davis and his usual panel members are joined by authors Jeffrey and Scott Thomas) is a special treat.

 

Grimm Life Collective: This vlogged walkthrough (day and evening) of Haunted Overload in New Hampshire serves as a reminder of why a visit to the awesome attraction tops my Halloween bucket list.

 

Halloween Ubiquity

One of the many things I love about Halloween season is the wonderful abundance of holiday- and horror-related items online. Here are some (grave) sites that I’ve really dug so far this October:

 

Film School Rejects: This site’s “31 Days of Horror Lists” (e.g., “10 Best Horror Movies Set on Halloween Night”; “10 Deadliest Horror Movie Weapons”) are as inventive in topic as they are informative in content.

 

History.com: The dedicated Halloween page treats readers to a host of enlightening features, such as “How Trick-or-Treating Became a Halloween Tradition” and “Why Black Cats Are Associated With Halloween and Bad Luck.”

 

Halloween Daily News: The website’s name says it all. A worthy read the whole year round, but especially during October.

 

Cemetery Dance Online: The “Free Reads!” section of the publisher’s website has been running a cool interview feature called “How I Spend My Halloween.” So far this month, authors Cynthia Pelayo, Josh Malerman, V. Castro, Stephen Graham Jones, and Hailey Piper have revealed their holiday rituals.

 

Bloody Disgusting: This bountiful site always has terrific Halloween content, such as the editorials “10 of the Scariest Moments in Horror Movies Set Around Halloween” and “The 20 Best Scenes from the ‘Halloween’ Franchise.”

 

Book Riot: In this bibliophile paradise, readers can dive into such pieces as “20 Must-Read Halloween Nonfiction Books” and “Bookish Halloween Decorations for Your Fright and Reading Delight.”

 

CrimeReads: Recent pieces worth sampling are “The Very Human Horrors of Paul Tremblay,” “Discovering Charles Dickens’ ‘The Signalman,'” “Dracula vs. the FBI,” and “9 Works of Dark Humor Perfect for Halloween.”

 

Parade.com: Celebrants who veer toward the lighter side of the dark holiday will be happy to navigate over to the magazine’s “75 Funny Halloween Puns” and “75 Hilarious Halloween Riddles” webpages.

 

Wired: The posted video “13 Levels of Pumpkin Carving: Easy to Complex” might be the best tutorial ever on the topic.

 

Christine McConnell: On her YouTube channel, the goddess of macabre arts and crafts creates an amazing jack-o-lantern.

Putting King in The Kingcast

Today The Kingcast podcast presents the ultimate embodiment of its name, as it features Stephen King himself as guest! Akin to any King interview, this hour-long episode is filled with humorous and highly enlightening bits. Early into the discussion, King shares an amusing (and unabashedly low-brow) story concerning a Japanese tour group outside his home. He discusses difficulties with getting The Dead Zone published, and identifies the actress he believes should have won an Oscar for her performance in one of the film adaptations of his books. The adaptation process is explored at length here, particularly in relation to Lisey’s Story. Discussion of the bleak ending of the nightmarish horror novel Revival leads to the question of whether King dreads his own mortality, and the author responds by detailing what he fears even more than death. King is also prompted on his collaboration process with Richard Chizmar in the Gwendy books, and hosts Scott Wampler and Eric Vespe pose plentiful question about the Dark Tower series. Oh, and along the way King casually drops some major news: a forthcoming novel titled Holly, which focuses on one of his favorite (and most recurring) characters, Holly Gibney.

I could listen to King talk 24/7 and be completely entertained, so this unexpected treat that appeared today flat out made my day. Constant Readers, or any fans of the adaptation of King’s work, will likely feel the same.

 

Ribboning 2021

Another year draws to a close, which means countless year-in-review pieces are popping up all over the Macabre Republic (for me, a recall of all the great work I’ve encountered this year, as well as a reminder that I still have a lot more seek out). Here are the links for some online listings of the horror genre’s best offerings in fiction, film, and television:

CrimeReads: “The Best Horror Fiction of 2021”

Library Journal: “Best Horror of 2021”

LitReactor: “The Ten Scariest Horror Books of 2021–Ranked!”

Goodreads: “Best Horror”

Screen Rant: “The Best Horror Movies of 2021”

Film School Rejects: “The 15 Best Horror Movies of 2021”

The Lineup: “The 13 Best Horror Films of 2021”

IGN: “The 13 Best Horror Movies of 2021”

SYFY Wire: “Here Are the 16 Best Genre Shows of 2021”

Bloody Disgusting: The 10 Best Horror Television Shows of 2021; The 10 Best Horror Movie and Television Monsters of 2021; “Top 10 Horror Movies of 2021”“The Top 10 Scariest Scenes in 2021 Horror Movies”; “The Top 10 Hidden Horror Gems You Might’ve Missed in 2021”; “The 15 Best Horror Movie Performances of 2021”; “The 10 Best Horror Books of 2021”

WatchMojo: “Top 10 Best Horror Movies of 2021”