Putting King in The Kingcast

Today The Kingcast podcast presents the ultimate embodiment of its name, as it features Stephen King himself as guest! Akin to any King interview, this hour-long episode is filled with humorous and highly enlightening bits. Early into the discussion, King shares an amusing (and unabashedly low-brow) story concerning a Japanese tour group outside his home. He discusses difficulties with getting The Dead Zone published, and identifies the actress he believes should have won an Oscar for her performance in one of the film adaptations of his books. The adaptation process is explored at length here, particularly in relation to Lisey’s Story. Discussion of the bleak ending of the nightmarish horror novel Revival leads to the question of whether King dreads his own mortality, and the author responds by detailing what he fears even more than death. King is also prompted on his collaboration process with Richard Chizmar in the Gwendy books, and hosts Scott Wampler and Eric Vespe pose plentiful question about the Dark Tower series. Oh, and along the way King casually drops some major news: a forthcoming novel titled Holly, which focuses on one of his favorite (and most recurring) characters, Holly Gibney.

I could listen to King talk 24/7 and be completely entertained, so this unexpected treat that appeared today flat out made my day. Constant Readers, or any fans of the adaptation of King’s work, will likely feel the same.

 

Ribboning 2021

Another year draws to a close, which means countless year-in-review pieces are popping up all over the Macabre Republic (for me, a recall of all the great work I’ve encountered this year, as well as a reminder that I still have a lot more seek out). Here are the links for some online listings of the horror genre’s best offerings in fiction, film, and television:

CrimeReads: “The Best Horror Fiction of 2021”

Library Journal: “Best Horror of 2021”

LitReactor: “The Ten Scariest Horror Books of 2021–Ranked!”

Goodreads: “Best Horror”

Screen Rant: “The Best Horror Movies of 2021”

Film School Rejects: “The 15 Best Horror Movies of 2021”

The Lineup: “The 13 Best Horror Films of 2021”

IGN: “The 13 Best Horror Movies of 2021”

SYFY Wire: “Here Are the 16 Best Genre Shows of 2021”

Bloody Disgusting: The 10 Best Horror Television Shows of 2021; The 10 Best Horror Movie and Television Monsters of 2021; “Top 10 Horror Movies of 2021”“The Top 10 Scariest Scenes in 2021 Horror Movies”; “The Top 10 Hidden Horror Gems You Might’ve Missed in 2021”; “The 15 Best Horror Movie Performances of 2021”; “The 10 Best Horror Books of 2021”

WatchMojo: “Top 10 Best Horror Movies of 2021”

 

Countdown: The Top 31 Norman Partridge Works of Short Fiction–#2

[For the previous countdown post, click here.]

 

2. “The Iron Dead” (2010)

Imagine if Dashiell Hammett wrote for Weird Tales rather than Black Mask, and you’ll have a good sense of the sensibility of this retro-pulp novella. In middle-of-nowhere Montana, a bootlegging run is interrupted by a “hell machine”–a vampiric cyborg hybrid of flesh and blood and metal and wire. This Satan-serving monstrosity seeks not just sustenance but also fresh recruits for its nightmare army: it builds new soldiers out of “scavenged engine parts and organs harvested from the bodies of murdered men and women.” With such a diabolical scheme unfolding, it’s fortunate that a wandering hero is drawn to the carnage; the drifter Chaney has a mechanical hand, a black satchel full of weapons, and a score to settle. The plot plays out like Night of the Iron Dead, as gangsters, lawmen, and Chaney hole up in a jailhouse under siege from the hell machine’s minions. Escaping, the unlikely band of confederates advance on the hell machine’s workshop of infernal creation (a cemetery-adjacent gas station/machine shop) during a driving rainstorm. A harrowing adventure narrative on overdrive, featuring an extensive cast of human heroes and villains and an assortment of exotic monsters that make Clive Barker’s Cenobites look like a bunch of Tinker Toys, “The Iron Dead” is surely cinematic in scope. No one does hard-boiled horror better than Partridge, and this knockout novella forms his premiere example of such genre mash-up.

 

Poe Abodes

AP Photo/File; Stefano Giovannini

Ahh, the macabre is in the air! One of my favorite parts of the Halloween season (other than the dark, autumnal charm of the High Holiday itself) is the appearance of articles such as this. Allison Hope’s New York Post piece, “Inside Edgar Allan Poe’s Hellish–and Relatable–NYC Housing Hunt,” is an unexpected treat that showed up in my phone’s feed this evening. It’s a terrific read, offering a quick journalistic tour of Poe’s Gotham living spaces and Gothic literary endeavors. Poe fans, and October lovers, are sure to enjoy Hope’s work here.

 

Bronze Macabre

Photo Credit: Peter D. Kramer/USA Today Network New York State Team

I came across an online item this afternoon, and thought it makes a fine companion piece to my “Beyond Sleepy Hollow” post yesterday. Peter D. Kramer’s USA Today article “Sleepy Hollow’s Lesser Known Ghost Story: The Curse of the Bronze Lady in New York” proves that Washington Irving’s Headless Horseman isn’t the sole source of spookiness associated with Sleepy Hollow Cemetery. The Bronze Lady is a purportedly cursed sculpture, a funereal memorial that has captured the imagination of locals and graveyard visitors. Various superstitions have been attached to her, a collection of unsettling narratives that would render the Bronze Lady the perfect subject of a Lore podcast episode. Kramer’s article is an informative and enjoyable read, and well-suited to the late-October mood.

 

How the Crowd Gathered

In conjunction with the recent American release of the Terrifying Ghosts anthology, Flame Tree Press has published a special post on its blog today. Eighteen of the contributors (myself included) discuss the inspiration for their respective stories (other authors from the ToC such as Edgar Allan Poe, M.R. James, Arthur Conan Doyle, and Edith Wharton have yet to respond to the prompt, but based on the theme of the anthology, I’m still holding out hope!).

So check out the post here to find out which classic story was a formative influence on my piece “Theater Crowd.” And be sure to head back to the Flame Tree blog next Wednesday, for a post in which the contributors discuss our favorite titles in the ghost story genre. [Update, 7/7: the second post is now up on the website]

 

 

Clive Interview

Clive Barker is the interview subject for this week’s edition of the podcast Post Mortem with Mick Garris. It is a bit of a shock at first to hear how pronounced the rasp in Clive’s voice has become, but he sounds very enthusiastic, and says that he is in better health these days (which is wonderful news).

During the 75-minute interview, Clive talks about a traumatic incident from his childhood that was a formative influence on his work. His more recent experience of being in a coma is covered (his return to consciousness makes for quite an anecdote). The boundary-pushing writer also addresses the censorship battles he had to fight with editors and publishers over the years. Valuable insight into his drafting process (when working on a novel) is given. Clive and Mick reminisce on their interestingly-premised Mummy film that never got made, and share the news about an upcoming collaborative project. All told, the interview is a real treat, and one that Clive Barker fans will certainly enjoy.

The Scariest Stories Ever

A recent episode of the Lovecraft eZine podcast featured a very interesting topic for genre fans: the panelists discussed their own (as well as their audience’s) choices for “The Scariest Short Stories Ever Written.”

To be sure, such an endeavor is inevitably subjective, contingent on individual trigger points and stylistic preferences (realistic or supernatural horror, quiet or splatterpunk), and influenced by the personal mood and cultural moment in which the tale is first encountered. Accordingly, any citations should be taken in the vein of nomination, not prescription.

With that being said, I’d like to add my own two cents to the discussion with the belated addition of the pair of titles I would choose:

1. The Mist by Stephen King: Yes, I realize that technically this is a novella and not a short story. It is also one harrowing narrative–an environmental disaster turned Lovecraftian apocalypse. King gothicized a seemingly safe space (until that point, the supermarket had been the place to which I happily ventured with my mom to gather weekly treats), besieging it with carnivorous monsters from another dimension, to say nothing of the human fanatics the protagonists find themselves trapped with inside the store. I can remember lying on my bed with my copy of Skeleton Crew as a young teenager, utterly engrossed by the story, when a housefly happened to buzz past my ear. I jumped so high and so hard, I almost dented the ceiling.

2. “Darkness Metastatic” by Sam J. Miller: This transgressive, technophobic tale–which reads like a combination of Chuck Palahniuk and Philip K. Dick–is aptly placed in Nightmare magazine. It concerns an especially nasty piece of malware that is driving people to commit hate crimes and acts of mind-boggling violence. The story is rife with disturbing images (one character threatens to feed a bag of spiders to a captive one by one). The subject matter seems even more insidious based on the piece’s (mid-pandemic) time of publication, when social distancing has driven everyone towards social media. Miller’s account of Americans’ descent into insane incivility perfectly captures the frightful divisiveness gripping the country during the Trump presidency. As a constant reader of horror, I am not easily moved, but have to admit that this one struck a nerve and stuck with me long after.

 

But why stop at two? Here’s a listing of further contenders for the title of “Scariest Story.” I make no claim of exhaustiveness; hundreds of other selections no doubt could be added here. Consider this a starter set of recommended reads rather than the be-all and end-all of superlative horror narratives.

“Going to Meet the Man” by James Baldwin: Baldwin’s unflinching depiction of a lynching sears its way into the reader’s consciousness, and proves that “haunting” is not limited to restless ghosts and remote mansions.

“Rawhead Rex” by Clive Barker: This rampaging-monster/folk-horror tale used unrelenting terror to secure the #1 spot on my recent Books of Blood Countdown.

“Old Virginia” by Laird Barron: The explanation given here for the disappearance of the Roanoke colonists is more terrifying than any real-world theory ever postulated.

“The Willows” by Algernon Blackwood: Don’t be mislead by the innocuous title–this is outdoor horror (and cosmic encroachment) at its finest.

“The Whole Town’s Sleeping” by Ray Bradbury: A late-night journey through a dark ravine surely isn’t a great idea when a serial killer is on the loose. Creepy atmosphere builds towards a shocking clincher.

“The Waxwork” by A.M. Burrage: Uncanniness unparalleled, as a freelance journalist attempts to spend the night in a wax museum’s “Murderers’ Den.”

“Mackintosh Willy” by Ramsey Campbell: Ever since reading this eerie tale, I’ve never been able to enter a park shelter without fear brushing its fingers against my thoughts.

“The Bloody Chamber” by Angela Carter: Carter’s feminist revision of the Beauty and the Beast narrative also works as a quintessential spreader of Gothic terror.

“I Have No Mouth, and I Must Scream” by Harlan Ellison: The unforgettable title forewarns of the unspeakable horrors in store in this classic tale that takes the technology-run-amok theme to the extreme.

“Home” by Charles L. Grant: The master of quiet, atmospheric horror makes even a simple sandbox and set of swings the stuff of nightmares.

“Best New Horror” by Joe Hill: Hill makes a strong bid for his father’s genre crown with this early–and completely unnerving–story.

“Mr. Dark’s Carnival” by Glen Hirshberg: A gut-punch of a ghost story, set at the most sinister Halloween attraction since Something Wicked This Way Comes.

“The Monkey’s Paw” by W.W. Jacobs: Never has a a knock on the door been more unwelcome than in this ultimate be-careful-what-you-wish-for narrative.

“The Darkest Part” by Stephen Graham Jones: The supernatural, pederastic clown haunting the pages of this story (which packs enough nightmare fuel to power an epic novel) leaves the reader almost pining for Pennywise.

“Gone” by Jack Ketchum: A legend of no-holds-barred horror, Ketchum demonstrates that he can chill just as easily with a more restrained approach, in this Halloween tale of devastating parental grief.

“God of the Razor” by Joe R. Lansdale: Jack the Ripper seems like Jack Tripper compared to the supernatural slasher that Lansdale imagines here.

“Gas Station Carnivals” by Thomas Ligotti: Ligotti’s mesmerizing prose freezes the reader with fear in this tale that stages a dreadful revelation.

“The Shadow Over Innsmouth” by H.P. Lovecraft: For my money, the narrator’s attempt to escape from the Gilman House (and from the clutches of the monstrosities haunting the hotel) constitutes the most harrowing sequence in the entire Lovecraft canon.

“The Great God Pan” by Arthur Machen: The granddaddy of weird tales, replete with human iniquity and terrible incursion by the otherworldly.

“Prey” by Richard Matheson: The written exploits of the bloodthirsty Zuni-warrior doll are arguably even more horrifying than what appears in the Trilogy of Terror film adaptation.

“Yellow Jacket Summer” by Robert R. McCammon: This Southern Gothic take on “It’s a Good Life” did absolutely nothing to alleviate my wasp phobia.

“Orange is for Anguish, Blue for Insanity” by David Morrell: Morrell’s is not the first name that comes to mind when one thinks of cosmic horror, but the author produces an eye-popping example of it here.

“A Good Man is Hard to Find” by Flannery O’Connor: A family excursion (humorously narrated) takes a sharp left into the macabre, when the murderous Misfit arrives at the scene of a car accident.

“Where Are You Going, Where Have You Been?” by Joyce Carol Oates: Oates builds narrative suspense to an almost unbearable level, as the reader suspects that there is more than the mere seduction of a teenage girl at stake.

“Guts” by Chuck Palahniuk: Palahniuk’s notorious, unabashedly grotesque story of onanism gone wrong ultimately haunts because its extreme scenes of body horror are all too plausible.

“Lesser Demons” by Norman Partridge: A hard-boiled, post-apocalyptic take on Lovecraft, featuring eldritch wretches born from the bellies of human corpses.

“The Masque of the Red Death” by Edgar Allan Poe: Poe’s colorful plague tale painfully reminds the reader that bloody demise can be the fate of anyone.

“The Autopsy” by Michael Shea: Shea frays the reader’s every last nerve here with surgical precision. I can’t believe this graphic shockfest (first published in 1980) has yet to be adapted as a cinematic feature.

“Iverson’s Pits” by Dan Simmons: A Gettysburg-commemorating ceremony becomes the site of supernatural events that make the horrors of the Civil War seem positively quaint by comparison.

“Sticks” by Karl Edward Wagner: If you didn’t know what a lich was prior to reading this unsettling sylvan tale, you certainly will (never be able to forget) afterward.

“The Walker in the Cemetery” by Ian Watson: “The Mist” meets “I Have No Mouth, and I Must Scream,” as a group of tourists in Genoa are preyed upon by a human-sized iteration of Cthulhu (in the role of sadistic slasher/wrathful god).

 

Just Added: Macabre Follows

I’ve just added a new page to the header menu: Macabre Follows. It is an annotated, hyperlinked list of online places (websites, blogs, podcasts, etc.) that lovers of horror and the Gothic will be thrilled to visit on a continuing basis.

Such cataloging is an ongoing project, and I am sure I will be adding to the page over time. I also welcome recommendations from readers of this blog (feel free to make your suggestions in the Comments section below, or to communicate them to me through the Contact form.

I hope this new page helps lead you down some delightfully dark pathways…