Harvest Time

The October Boy is getting his screen Run at long last.

The release of the film adaptation of Norman Partridge’s classic Halloween novel has been frustratingly delayed over the past few years, but the trailer for Dark Harvest finally has dropped and the on-demand premiere date of October 13th been announced.

And, boy, am I stoked. The trailer looks very promising; the book’s 1963 setting (in a Midwestern small town) has been retained, creating strong American Gothic vibes. Judging from the trailer (and the film’s R rating for “strong horror violence and gore”), no punches are going to be pulled during the October 31st mob scene that ritualistically determines the townspeople’s fate.

The success of the film, I believe, hinges in large part on how much of Partridge’s hardboiled, Monster-Culture-savvy prose style director David Slade (30 Days of Night) can capture onscreen. Most important of all, will be the special fx employed to animate the formidable scarecrow bogy, the October Boy (aka Sawtooth Jack). Done correctly, the result could be a creature that becomes as iconic as Pumpkinhead. Realized poorly, and the whole film could flounder. The trailer only offers vague glimpses of the figure, so hopefully something really amazing is being kept under wraps.

Keeping my fingers crossed that Dark Harvest proves the viewing event of the Halloween 2023 season…

Check out the official trailer below, and click on over to Halloween Daily News for an extended breakdown of it.

The Losers’ Club Climbs Up into the Treehouse

Here it is almost two weeks into November, and I’m still catching up on Halloween season items. But no matter: most readers of this blog probably join me in adopting the Alice Cooper mantra of keeping Halloween alive 365.

I just had a chance to listen to recent episode of The Losers’ Club podcast. In “The Simpsons‘ ‘Not It’: Stephen King in Springfield,” the hosts survey King’s intersection with the animated series over the years. After discussing the Treehouse of Horror specials in general, they then zero in to dissect “Not It” (the first of two Treehouse offering by The Simpsons this season). As usual, the group does not hesitate to voice strong critiques, which is fine (better that than being shameless shills). My two common issues with the podcast, though, prove glaringly evident here. First, the Losers are not as funny as they fancy themselves to be, and once again spend too much time dispensing ostensible wit rather than genuine wisdom (the rant in this episode about the state of contemporary humor also seemed brash in its bashing). Secondly, they have a tendency to be incompletely prepared: I can’t believe, given the topic of this particular podcast episode, that no mention was made of The Simpsons‘ previous invocation of Pennywise (in the 2018 episode “Fears of a Clown”). But I’m not here to throw rocks at the Losers, simply to mention that fans of the Fox series and/or King will find the episode a provocative listen.

 

 

Comparing Countdowns

In a previous post, I covered Shudder’s The 101 Scariest Horror Movie Moments of All Time. Now that the Halloween-season-spanning, eight-episode series is complete, let’s compare its rankings to those in the similar countdown specials that preceded it on the Bravo channel.

Abbreviations:
B100= Bravo’s The 100 Scariest Movie Moments [2004]
B30= Bravo’s 30 Even Scarier Movie Moments [2006]
B13= Bravo’s 13 Scarier Movie Moments [2009] 

 

The 101 Scariest Horror Movie Moments of All Time

Episode 1
101. It Follows (2014)
100. The Orphanage (2007)
99. ‘Salem’s Lot (1979)
98. Horror of Dracula (1958)
97. Black Sabbath (1963)
96. Pulse (2001)
95. The Strangers (2008) [B13: #13] 
94. The Wolf-Man (1941) [B100: #62] 
93. Cat People (1942) [B100: #97] 
92. The Birds (1963) [B100: #96] 
91. Mulholland Drive (2001)
90. Child’s Play (1988) [B100: #93] 
89. An American Werewolf in London (1981) [B100: #42] 

Episode 2
88. Us (2019)
87. The Witch (2015)
86. Zombi 2 (1979) [B100: #98] 
85. The Changeling (1980) [B100: #54] 
84. The Phantom of the Opera (1925) [B100: #52] 
83. The Brood (1979) [B100: #78] 
82. A Tale of Two Sisters (2003)
81. Demons (1985) [B100: #53] 
80. Doctor Sleep (2019)
79. Candyman (1992) [B100: #75] 
78. Invasion of the Body Snatchers (1978)
77. The Evil Dead (1981) [B100: #76] 
76. Dawn of the Dead (2004) [B30: #13] 

Episode 3
75. Annihilation (2018)
74. Cujo (1983) [B100: #58] 
73. The Fly (1986) [B100: #33] 
72. The Wicker Man (1973) [B100: #45] 
71. Nosferatu (1922) [B100: #47]
70. The Night House (2020)
69. Aliens (1986) [B100: #35] 
68. The Babadook (2014)
67. The Last House on the Left (1972) [B100: #50] 
66. Terrified [Aterrados] (2017)
65. Friday the 13th (1980) [B100: #31] 
64. Dawn of the Dead (1978) [B100: #39] 
63. Peeping Tom (1960) [B100: #38] 

Episode 4
62. A Quiet Place (2018)
61.The Autopsy of Jane Doe (2016)
60. Phantasm (1979) [B100: #25] 
59. Ju-On: The Grudge (2002)
58. When a Stranger Calls (1979) [B100: #28] 
57. Black Christmas (1974) [B100: #87]
56. Jacob’s Ladder (1990) [B100: #21] 
55. Threads (1984)
54. The Howling (1981) [B100: #81]
53. Gerald’s Game (2017)
52. Misery (1990) [B100: #12] 
51. Frankenstein (1931) [B100: #27] 
50. A Nightmare on Elm Street (1984) [B100: #17] 

Episode 5
49. A Bay of Blood (1971)
48. The Conjuring (2013)
47. Get Out (2017)
46. Twin Peaks: Part 8 (2017)
45. Pan’s Labyrinth (2006)
44. Rosemary’s Babysitter (1968) [B100: #23] 
43. Inside (2007)
42. Se7en (1995) [B100: #26] 
41. Zodiac (2007) [B13: #4] 
40. 28 Days Later (2002) [B100: #100] 
39. 30 Days of Night (2007)
38. The Silence of the Lambs (1991) [B100: #7]
37. Suspiria (1977) [B100: #24] 

Episode 6
36. The Blair Witch Project (1999) [B100: #30]
35. Paranormal Activity (2007)
34. The Sixth Sense (1999) [B100: #71]
33. Let the Right One In (2008)
32. The Invisible Man (2020)
31. Wait Until Dark (1967) [B100: #10] 
30. Don’t Breathe (2016)
29. Hostel (2005) [B30: #1] 
28. Lake Mungo (2008)
27. The Haunting of Hill House (2018)
26. It: Chapter One (2017)
25. I Saw the Devil (2010)
24. Hellraiser (1987) [B100: #19]

Episode 7
23. The Descent (2005) [B13: #1] 
22. Saw (2004) [B30: #3] 
21. Scanners (1981) [B30: #14]
20. [REC] (2007)
19. Carrie (1976) [B100: #8] 
18. The Omen (1976) [B100: #16]
17. Night of the Living Dead (1968) [B100: #9]
16. The Exorcist III (1990)
15. Final Destination (2000)
14. Jaws (1975) [B100: #1]
13. Scream (1996) [B100: #13]
12. Halloween (1978) [B100: #14]
11. Alien (1979) [B100: #2] 

Episode 8
10. Ringu (1995)
9. Train to Busan (2016)
8. Sinister (2012)
7. The Exorcist (1973) [B100: #3]
6. The Shining (1980) [B100: #6]
5. Psycho (1960) [B100: #4]
4. Audition (1999) [B100: #11]
3. Hereditary (2018)
2. The Thing (1982) [B100: #48] 
1. The Texas Chain Saw Massacre (1974) [B100: #5]

 

Some Thoughts:

*This 2022 list makes a conscious effort to be more culturally inclusive; a quarter of the list is comprised of non-North-American films.

*Freaks is the highest-ranked film from the B100 list (#15) to not make the Shudder list. The Haunting (B100: #19) is perhaps the most surprising omission, though (here, the film  is supplanted by the Netflix series).

*The Thing [B100: #48] makes the largest jump from the original Bravo list–a testament to how the film’s reputation has continued to grow over the years.

*The Silence of the Lambs is the Top 10 film from the original Bravo list (#7) to have the biggest drop here. It’s somewhat surprising, too, that the #1 film from the original Bravo list, Jaws, falls all the way to #14 here.

*Dawn of the Dead is the only film listed twice here–the 1978 original and the 2004 remake.

*Frankenstein and The Wolf-Man make this list but their Universal Monster cohort Dracula doesn’t. The top-ranked Universal Monster film on the list: the 2020 remake of The Invisible Man.

*The Shining is the top-ranked Stephen King film adaptation on both this list and the original Bravo list. Despite King’s vocal denunciations of the film, Stanley Kubrick clearly struck a horrifying chord with audiences.

*Twenty-two of the entries here were released after 2009, and so were not even available for consideration for any of the Bravo lists. The top-ranked film here that was eligible but didn’t make the Bravo lists was Ringu (but B100 did rank the American remake of the film at #20).

 

The 101 Scariest Horror Movie Moments of All Time was a wonderful treat this Halloween season. The series brimmed with stunning clips and astute commentary. Mike Flanagan’s closing remarks are so good, I have to quote them in full here:

One of the neat things about the genre is that, yes, we love to be startled, and yes, we love to be frightened, and sometimes we love to root for the killers. We can pour all of our kind of base instincts into sympathizing with the slasher. It lets us do so many different things. It’s cathartic in so many different ways. But it also, in all of its expressions, is just an invitation. For us to be a little bit braver in processing what we go through as people, whether that’s dealing with loss, trauma, violent fantasies, universal fears, fear of the unknown, fear of death itself, or just fear of what we are capable of doing to each other. All of those expressions of the genre all invite us to try to be honest about that, and to try to be a little bit courageous. Just brave enough to make it through the scene, just brave enough to make it through the movie, just brave enough to make it through the episode. And we collectively get that little bit braver.

 

Halloween Ubiquity II

Here’s a follow-up to last week’s pre-Halloween post. Along with Heidi Klum’s costume-party-conquering worm (or supersized spiral ham, depending on your taste) pictured above, these are some superlative seasonal items:

 

Cinema Blend: Jason Wiese revisits a modern classic in his pieceTrick ‘R Treat: 11 Thoughts I Had Rewatching the Halloween-Set anthology Movie.”

 

Crime Reads: Not ready yet to transition into Noirvember? Then check out Olivia Rutigliano’s spotlighting of “The 11 Best Halloween Scenes in Non-Genre (Crime) Movies.”

 

Lit Hub: The compendium “31 Spooky, Eerie, and Uncanny Books to Read for Halloween” will keep your TBR list well-stocked for months to come.

 

First Things: James Matthew Wilson’s post “The Poetry of Autumn” offers a fine survey of seasonal verse throughout American literary history.

 

Tor Nightfire: Ally Russell’s “Good Gourd! On Our Fascination with Pumpkins” is a light-hearted personal essay about the fruit that lights up the fall season.

 

The Skeleton Key: For a decade now, this wonderful blog has presented countless informative, offbeat, and picturesque posts about Halloween. Plenty of material here for those refusing to give in to October’s-over letdown.

 

The Lovecraft eZine Annual Halloween Podcast: This podcast is always a fun listen/watch, but the annual Halloween episode (in which host Mike Davis and his usual panel members are joined by authors Jeffrey and Scott Thomas) is a special treat.

 

Grimm Life Collective: This vlogged walkthrough (day and evening) of Haunted Overload in New Hampshire serves as a reminder of why a visit to the awesome attraction tops my Halloween bucket list.

 

The Veil Thins, The Plot Thickens: A Review of Halloween Beyond

 

Halloween Beyond: Piercing the Veil (Crystal Lake Publishing, 2022)

I can’t think of a more appropriate October Overflow post than a review of a book called Halloween Beyond.

The title of this collection of three thematically-linked novellas refers to a seasonal store that pops up across the country (a la Spirit Halloween). This is no ordinary franchise, though, and the store clerk–a mysterious beauty named Maeve–conducts business with an interest in more than commercial retail. She executes various secret schemes, for purposes that cannot be reduced to the simply sinister (a trite female rewrite of Leland Gaunt Maeve isn’t).

With its Piercing the Veil subtitle, the book forecasts crossings back and forth between the earthly realm and supernatural otherworlds. Yet the book defies expectations thanks to the strikingly varidirectional approaches the three authors take. In the leadoff piece, Lisa Morton’s “The Talking Board,” protagonist Kayla attempts to reach and rescue her sister Hailey who disappeared in the reputedly haunted “Ghost Woods” outside of town the previous Halloween night. Lucy Snyder’s “New Blood” floats the idea of a shady seaside town (which hosts a less-than-innocent Halloween party for local children) and plunges into the deep waters of Lovecraftian horror. Finally, Kate Maruyama’s “A Gentleman’s Suit” presents a yard-haunt prop (a boat-piloting Charon animatronic) that opens an uncanny portal into the afterlife.

Perhaps because of the gender of the respective contributors, there’s a certain commonality to the viewpoint characters of each novella (although Maruyama’s employment of a nonbinary narrator whose identity is integral to the plot provides a welcome variation). The most important characteristics the selections share, though, are richly atmospheric prose and intriguing plots. Fans of Al Sarrantonio’s Orangefield Cycle are sure to relish this book’s combination of the autumnal and the mythic.

Starting with a terrific premise and then impressively developing it, Halloween Beyond makes for a quite satisfying holiday treat. There also seems to be a lot more space left on the curious shop’s shelves for other authors to stock with darkly imaginative items, so I’m hoping that Halloween Beyond pops up again next October with further linked-novella volumes or even an entire theme anthology.

 

October Overflow

Despite months of anticipation, Halloween always seems to spring up abruptly (much like the Gourd-Burster above). No matter how much I plan, there still seems to be so much more to read, watch, listen to, and post about. But just because the calendar has flipped to November, it doesn’t mean I am ready to bid farewell to this Halloween season. So, some more October-centric posts can be expected over the course of the next week.

As readers of this blog might have guessed, Halloween is my favorite day of the year. And I can’t think of any way to make the holiday even more special than to have a new piece of fiction published. Yesterday the vampire anthology And the Dead Shall Sleep No More: Vol. II  was released; it contains my story “Blood Born,” a tale of stealthy predation set in the New Jersey meadowlands. In all, the volume features 20 original works of short fiction. You can preview/purchase the book over at Amazon. Hope you enjoy!

Highlight of the Lonesome Night: October 31st

[For the October 30th highlight, click here.]

 

October 31st

Proverbial hell breaks loose on Halloween night, and the twists come wicked quick. We discover who murdered who, and who isn’t really dead (and has a surprising affiliation). Non-players appear at the manifestation ceremony and physically interfere, while others affect the outcome through more subtle manipulation. Like a trick-or-treater’s candy bag, this entire climactic chapter of Zelazny’s novel is stuffed with sinful delights. But the ultimate highlight comes from the great banefire the players gather round:

It goes all the way back into the misty vastness of our practices. Both sides require it, so in this sense it is a neutral instrument. After midnight, it comes to burn in more than one world, and we may add to it those things which enhance our personal strengths and serve our ends. It attracts otherworldly beings sympathetic to both sides, as well as neutral spirits who may be swayed by the course of the action. Voices and sights may pass through it, and it serves as a secondary, supportive point of manifestation to whatever the opening or closing object may be. Customarily, we all bring something to feed it, and it interacts with all of us throughout the ritual. I had urinated on one of our sticks, for example, several days earlier. There are times when players have been attacked by its flames; and I can recall an instance when one was defended by a sudden wall of fire it issued. It is also good for disposing of evidence. It comes in handy on particularly cold nights, too.

Hearkening back to the ancient roots of Halloween, this hilltop scene of blazing flame is perfectly bewitching in its atmosphere. Snuff’s description of the banefire also captures all the wittiness and occult complexity that has characterized the narrative all October long.

 

Treehouse of Trivia ’22

This Halloween season, The Simpsons offered two holiday episodes, Treehouse of Horror Presents: Not IT and Treehouse of Horror XXXIII. So this year’s Treehouse of Trivia quiz is going to have to be doubly challenging. Not for the faint of heart or unobservant of eye!

[Answers appear in the Comments section of this post.]

 

1. In “Not IT,” what is the town slogan scripted on the “Welcome to Kingfield” sign?

 

2. According to Carl in “Not IT,” what purpose did the clubhouse serve before the Losers took it over?

 

3. Which of the following was not pictured in “Krusto D. Clown’s Group of Oddities” in “Not IT”?

a) Lobster Boy

b) Fat Man

c) Dogface Kid

d) Mole Man

e) Bearded Lady

 

4. In “Not IT,” the bakery Krusto haunts is called “Needful Sweets.” True or False?

 

5. On the walls of D’ohs Tavern in “Not IT,” two different pennants can be seen. One has “Regrets” blazoned on it. What word does the other sport?

 

6. Which of the following Stephen King titles does not appear in Kang and Kodos’s bookcase at the end of “Not IT”?

a) Dr. Sleep

b) Dreamcatcher

c) The Dead Zone

d) Dolores Claiborne

e) Pet Sematary

f) Skeleton Crew

g) The Dark Tower

h) Needful Things

i) The Tommyknockers

7. Complete the title of the book that appears alongside The Pookadook in Maggie’s bookcase: Don’t Let the ____ ______ _______.

 

8. In “The Pookadook” segment, why do Homer, Bart, and Lisa come home early from their overnight stay at the aquarium?

 

9. According to Steve Johnson in “Death Tome,” what was the most popular name in his nursery cave?

 

10. Lisa’s “justice spree” eliminates at least ten employees of Mr. Burns’s company Globo-Warm. List four different means of death.

 

11. The “Simpsonsworld” segment contains to references to Edgar Allan Poe. What are they?

 

12. When the Simpson robots eat at Bob’s Burger’s, what is the advertised Burger of the Day?

 

13. In the episode epilogue, how do Kang and Kodos come across the Treehouse of Horror XXXIII meta-tome?

 

Altogether Ooky October: The Addams Family and Halloween

Yes, I was really disappointed to learn that Tim Burton’s new Netflix series Wednesday wouldn’t be premiering until after Halloween season (three more grueling weeks to wait!). But that just sent me back to view earlier incarnations of the Addams Family, and it turns out that the creepy, kooky, mysterious and spooky household has a rich history of Halloween association.

The Halloween connection traces back to the inception of the Addams Family. Charles Addams’s vintage New Yorker cartoons more commonly skewer the Yuletide holiday, but there is one signature piece in which the Addamses descend en masse on the wilds of Central Park in late October (with Uncle Fester even toting a jack-o’-lantern under his arm).

 

As a 1960’s sitcom, The Addams Family featured two separate Halloween episodes. In episode 1.7, “Halloween with the Addams Family,” a pair of robbers on the run (Don Rickles and Skip Homeier) attempt to hide out at the Addams home and get caught up in the family’s crazy celebration of its “favorite holiday” (the festivities include “bobbing for the crab”). And long before The Nightmare Before Christmas, the Addamses gather for a recitation of a special holiday-splicing poem: “It was Halloween evening, and through the abode / Not a creature was stirring, not even a toad. / Jack-o’-lanterns are hung on the gallows with care / To guide sister witch as she flies through the air…”

 

“Halloween–Addams Style” (2.7) means bite-size salamander sandwiches prepared via guillotine, and porcupine taffy crafted by Grandmama. After an insensitive neighbor spoils the trick-or-treating Wednesday’s holiday joy by claiming that witches don’t exist, a séance is conducted to contact the Addams ancestor Aunt Singe (who was burnt at the stake in Salem). Comedic confusion ensues when a witch-costumed neighbor out on a Halloween scavenger hunt shows up at the Addams mansion.

 

The sitcom’s original cast returned in living color for the 1977 TV movie Halloween with the New Addams Family (a film that features extensive scenes of an Addams-hosted costume party at which various bits of hilarity occur). Halloween is clearly Christmas for the Addams Family, as is evident from the legend of Cousin Shy, a jolly spirit who “carves a smile on a specially hidden pumpkin, and leaves beautiful gifts at the feet of the Halloween scarecrow.” As if all this wasn’t festive enough, the closing scene presents the Addamses in candlelit procession, singing a macabre carol: “Scarecrows and blackbirds are always together. Spiders spin cobwebs in overcast weather. Cauldrons are brewing and banshees are doing a weird and ghastly routine, to wish you a merry, creepy Halloween.”

 

The 1991 cinematic adaptation The Addams Family concludes–you guessed it–on Halloween night. Gomez carves a cyclopean jack-o’-lantern; Pugsley dresses as his Uncle Fester, and Wednesday (in her everyday clothes) as a “homicidal maniac.” Then the Addamses head outside for a rousing game of Wake the Dead, which involves digging up departed relatives from the family graveyard.

 

For Halloween 1992, The Addams Family animated series served up “Puttergeist.” While the title references a certain Steven Spielberg horrorfest, the episode itself riffs on “The Legend of Sleepy Hollow.” Granny regales the family with a Halloween tale: four decades ago, a golfer hit the links on Halloween night, only to lose his head to a lightning strike. Thereafter he haunts the town as a specter with a giant golf ball for a head–quite a swerving from the pumpkin originally employed by Washington Irving.

 

In 1998 came the Canadian reboot The New Addams Family, whose series premiere “Halloween with the Addams Family” is a redux of the same-titled episode from the 60’s sitcom. Old gags are updated: Fester goes bobbing for hand grenades; Gomez wipes the smile off a jack-o’-lantern, carving a scarier expression with his fencing sword. Pugsley and Wednesday (dressed as Siskel and Ebert) wreak havoc on the neighborhood when they go trick-or-treating (one candy-stingy couple who foolishly demand a trick before handing out treats end up in a homemade electric chair rigged to their doorbell).

 

This survey of Halloween legacy should also make mention of the influence of the Addams Family on Ray Bradbury’s Elliott Family (a positively monstrous clan who, in the author’s classic story “Homecoming,” gather in an Illinois manse for a Halloween night reunion). In his afterword to his 2001 Elliott Family chronicle From the Dust Returned, Bradbury details his relationship with Charles Addams. Their plans for a book collaboration never came to fruition, but Addams did create an elaborate illustration of “Homecoming” when the story was first published in Mademoiselle.

 

For an outré crew like the Addams Family, every day is Halloween. But this First Family of Gothic comedy has also treated fans to plenty of October-31st-specific content over the years. I am eager to see if the forthcoming Wednesday follows this fine tradition.

 

 

 

Highlight of the Lonesome Night: October 30th

[For the October 29th highlight, click here.]

 

October 30th

The penultimate chapter of Zelazny’s novel clarifies the parameters of the Game and establishes the stakes for the players. Snuff explains: “Those of us who remain will gather atop the hill at midnight. We will bring kindling, and we will cooperate in the building of a big fire. It will serve as illumination, and into it will be cast all the bones, herbs, and other ingredients we have been preparing all month to give ourselves an edge to confound our enemies.” The participants will encircle “the Gateway–which we have already determined to be the stone bearing the inscription.” The Opening and Closing Wands will be wielded. Things could get physical, and “psychic attacks may be shot back and forth. Disasters may follow. Players may fall, or go mad, catch fire, be transformed.” And eventually, “at the end of our exercises, which may take only a little while, though conceivably they could last until dawn (and in such a stalemated case, the closers would win by default)–the matter will be decided. Bad things happen to the losers.” All this stage-setting for the Halloween night mayhem represents the highlight for October 30th.