Ellen Datlow’s latest addition to her superlative anthology series features twenty-four stories and one poem. There is a certain disproportion to the contents: as Datlow herself admits in her introductory “Summation 2020,” “For some reason, the overwhelming number [of contributors] this year are from the United Kingdom” (which makes this feel more like one of Stephen Jones’s annual Best New Horror compilations). A quarter of the selections come from just two anthologies: After Sundown and Final Cuts: New Tales of Hollywood Horror and Other Spectacles (the latter edited by Datlow). Repetition of tropes (e.g. haunted houses) and settings (e.g. harsh winter landscapes) is also noticeable here. But while the contents lack somewhat in diversity, they evince consistent high quality; overall, The Best Horror of the Year, Volume Thirteen is a very impressive collection of genre talent.
So just before the ball drops in Times Square, here’s my countdown of the ten best selections in this 2021 anthology:
10. “A Treat for Your Last Day” by Simon Bestwick. This one presents a simple yet chillingly plausible premise: a family outing devolves into tragedy. As the narrator hauntingly reminds us at tale’s end: “Life is basically a field full of hidden landmines, and nothing you can do protects you against treading on one.”
9. “In the English Rain” by Steve Duffy. A coming-of-age tale that features a compelling setting. History and horrific imagining are blurred, as a home once briefly owned by John Lennon turns out to be the haunt of a terrifying child-murderer.
8. “Come Closer” by Gemma Files. A surreal and supremely creepy narrative concerning an itinerant haunted house that appears to slide through the neighborhood and displace the existing residences.
7. “The Whisper of Stars” by Thana Niveau. A harrowing cosmic horror tale set in the frozen wilds of the Arctic Circle. Reminiscent of the best outdoors horror of Algernon Blackwood.
6. “Lords of the Matinee” by Stephen Graham Jones. A fine variation on the haunted-theater story, and yet another instance of Jones’s uncanny ability to wring horror from the most quotidian elements (in this case, a kitchen can opener).
4. “A Deed Without a Name” by Jack Lothian. Speaking of riffs on classic works.,.This richly detailed story takes a different perspective onto Shakespeare’s Macbeth, turning the Weird Sisters into sympathetic protagonists.
3. “A Hotel in Germany” by Catriona Ward. A tale that proves (in exquisite prose, to boot) that there are still fresh vampire stories to tell. This was my first encounter with Ward’s work, whose much-ballyhooed The Last House on Needless Street has now shot to the top of my must-read list.
2. “Scream Queen” by Nathan Ballingrud. A writer who always seems to produce excellent short fiction, and this piece is no exception. A documentary delving into a cult-favorite horror film from 1970 transforms into a harrowing descent into the occult.
1. “Cleaver, Meat, and Block” by Maria Haskins. This impactful post-apocalyptic (and revenge) narrative about a cannibalism-inducing plague reads like an engrossing mini-movie. Much more terrifying than typical zombie fare, as the antagonists here are too recognizably human in their savage inhumanity.